• Happy New Year

    I have several rather long winded posts on the go – and promise not to publish them all at the same time – but thought I would wish all a Happy New Year. And what better way to do it than draw your attention to a positive treasure trove of photography articles on Telephoto, The…

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    Michael Cockerham

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  • End of an era

    Making the most of work experience placements.

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    Michael Cockerham

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Congratulations to Jayne and Dave for their wedding yesterday. I hope your future lives together are filled with laughter, love and endless opportunity. The most common question I’m asked is: why did you become a photographer? The only truly honest answer is that I’m a nosey bastard. I like to poke my nose into other people’s business, and then tell the world about it. Photography is one of the only professions that gives you a licence to do that. And I love meeting interesting people. The latest issue of @bjp1854 has an article Taking A Stanza, which discusses the renewed popularity of poetry paired with photography. In particular David Solo’s (who co-curated Photo Poetry Surfaces at the 2021 Bristol Photo Festival) statement that, “these collaborations work best when the poetry is not a caption and the photography is not an illustration, but rather both raise questions,” really struck a chord. Simon Weston CBE. Photographed for the Orpington Literary Festival where he was interviewed by Tessa Dunlop. Nicky Forbes, drummer from the Revillos, accomplished raconteur, and author of The Rhythm Method. Photographed for the Orpington Literary Festival. Digging through my archives and came across this portrait of Canadian astronaut and author, and former commander of the International Space Station, Chris Hadfield. Photographed at the Canadian High Commission in London.
Recent Comments

  1. I worked for them part time in 2000(July) until 2001(May) and it was a really nice team to be involved…

  3. Hello Michael, this was an enlightening article, thankyou for posting it. I was trying to find the original on the…

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